ALL MY PROJECTS

A participatory archive of queer resistance, transforming high-visibility safety vests into living objects of protest, memory and collective care.

Fleeting digital intimacy becomes a slow, tactile archive of queer desire, sexuality and visibility.

A work-in-progress performance by Jatun Risba and Adam Engler exploring childhood memory, wild landscapes, and the body’s transformation into a site of myth, observation, and becoming.

Ongoing conceptual photography project exploring the boundaries of constructed and performative photography.

A performative reconstruction of home, memory, and identity, tracing the unstable passage from childhood to adulthood through displacement, documentation, and the repeated act of inhabiting temporary spaces.

A suspended archive of 430 unrealised projects, transforming the absence of institutional support into a fragile roof, a memorial to lost opportunities, and a critique of cultural precarity.

A site-specific exercise in seeing ordinary spaces with surprise, rarity and wonder.

An ongoing project examining LGBTQ+ families in Slovakia through nationalism, decolonization and self-determination.

A field of altered measuring poles that questions the supposedly “right” measure of society.

A guerrilla-media project on Slovak cultural identity, queer perspective and the fractured symbolism of the Czechoslovak Pavilion.

An anonymous participant’s body-image narrative translated into image, fire and testimony.

A blindfolded performer uses a tailor’s tape to spell TRUST amid fake news and social distrust.

A critical reflection on Europe’s “Blue Banana” corridor, where globalization, spatial inequality, and urban concentration are transformed into an object that is ultimately consumed and made to disappear.

A field-research collaboration approaching cows as teachers for a more-than-human consciousness.

Children-made paper military caps turn nationhood, sovereignty and peace into a public game of 191 states.

Bread shaped as the Museum of the Slovak National Uprising confronts closed traditions and extremist stagnation.

Object made for Old Mill Ožďany.

Names and causes of death of people seeking Europe are translated into Slovak and brought into public space.

A dysfunctional apparatus carved with unresolved historical dates interrupts the “running” of institutions.